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Depicting Biodiversity: An Introduction to Scientific Illustration
with Grace Hoppie

Week day, 6 classes

Time

Offered for:

Session one (Month. 1, 2, 3, 4, Month. 5, 6)

Price:

$200

How can scientific data be accurately portrayed by works of art? Within this class, we will learn the fundamental principles of scientific illustration–how to integrate research into pieces, how to accurately depict specimens, and how to properly hang and exhibit work within a gallery. A perfect opportunity for natural history and art enthusiasts alike, students will be able to interact with a diverse range of artifacts such as fossils, feathers, bones, furs, shells, and foliage! You will hone your illustrative skills as you use charcoal, ink, and watercolor, in order to compose scientifically accurate pieces of fine art quality. Experience what it is like to be a scientific illustrator working in the field–all while learning principles of zoology, botany, and paleobiology along the way! During the final week of our two-week class, students will select their favorite medium, research a specimen of their choosing, create a final piece, and present their chosen specimen to the class in our own Night at The Museum (I promise, our class fossil specimens will NOT come to life)!

Materials List:
● One 18’’x24’’ pad of Mixed Media paper, heavy weight, with more than 60 sheets.
● General’s Charcoal Pencil Set: 7ct. (includes gum eraser)
â—Ź Variety pack of blending stumps (stumps/tortillons)
â—Ź Sakura Pigma Micron Pens: Set of 6, Black, Extra Fine and Fine Sizes
â—Ź Sakura Koi Watercolor Half Pan: Set of 24 Sketch Box, Assorted Colors
â—Ź Royal Langnickel Soft Grip Golden Taklon Brush Set – Beginner, Short Handle, Set of 5


Grace Hoppie, a Rocky Mountain native, graduated from Eckerd College in 2024 with her BFA in
Visual Arts. With backgrounds in ancient historical analysis, anthropology, Latin linguistics, along with natural sciences and the arts, she incorporates a wide range of motifs and themes into her pieces. Her preferred focus is rearticulation of extinct animals and their osteological remains, on a life-sized scale. She works in predominantly charcoal and ink, but produces works using taxidermy, bone, oil paint, watercolor, and various printmaking techniques. Her work showcases her versatile skill, while bringing diverse subject matter to her viewers. When she is not creating, she can be found miles-deep in the forests and swamps exploring local biota. Or, enjoying King of The Hill with her three snakes, two cats, and one strawberry-obsessed parrot.