Expressive Painting
with Neverne Covington
Wednesdays, 6 classes
10:00am – 2:30pm
Skill Level: Intermediate/Advanced
Offered for:
Fall Session Two (Nov. 4, 11, 18, 25, Dec. 2, 9)
How do we make meaningful content in our work, while at the same time sharpen our understanding of the fundamental nature of form and our ability to manipulate it? Starting with the fundamentals of observational painting, students will create the unexpected developed through specific exercises and techniques.
This class will delve into the nature of the properties of each medium and explore the fundamentals of powerful design through composition, shape, line, value, rhythm and direction through in class demonstrations and direct observation of other artists approaches and techniques. In addition, students will employ a disciplined approach to safe art practices.
Whether you are working figuratively or with abstraction, students can choose which medium they would like to work with: oil paint, acrylic, water mixable oil, cold wax medium or watercolor. Students will also have freedom over the subject matter and content of the work they make during class.
The class is 4.5 hours long, allows students to fully immerse themselves with their work. The class is structured such that we set up and paint upon arrival, break at noon for a critique (though not required), and resume painting in the afternoon. The class will employ the principles of the dialogic critique.
The traditional hierarchical critique consists of description, analysis, interpretation and judgement. The dialogic critique replaces judgement with the nature of questioning with the goal of: increasing understanding, generating new ideas, breaking boundaries, exploring meaning, and getting unstuck. The dialogic critique aims to answer these questions: What do you notice first, and why? What do you want to see more of? What is unexpected? What confuses you? What does the work provoke? All of this is done in a caring, compassionate way.
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Non-Members: $270
Members: $220
Sign up for a membership HERE, and receive $50 off
To register by phone, please call the Morean Arts Center at 727.822.7872
Class will be held at:
Morean Arts Center
719 Central Ave.
St. Petersburg, FL 33701
Supplies (Student Responsibility)Â
- Canvases and Panels: Pre-stretched cotton canvas or gesso-primed wooden panels. Arches makes a paper specific for oil painting.[
- Brushes: A variety of flats, brightness, and filberts (synthetic for acrylics, stiffer hog bristle for oils).
- Palette Knives: Metal knives for mixing paint cleanly on the palette or applying thick marks
- Palettes: Disposable paper palette pads or a smooth glass surface.Â
- Artist tape, white chalkÂ
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Acrylic-Specific Supplies
- Acrylic Paint: Heavy-body or fluid artist-grade acrylic paint (essential starting colors: titanium white, ultramarine blue, cadmium red, yellow ochre, and cadmium yellow.
- Option but great pigment, Naples yellow, nickel Azo yellow, alizarin crimson, manganese blue, thallium blue and black.Â
- Water Container: Plastic jars or basins for rinsing brushes.
- Spray Bottle: A mister to keep acrylics moist on the palette or a stay wet palletÂ
- Acrylic Mediums: Slow-drying or open mediums to extend working time. Or Matt medium.
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Oil-Specific Supplies
- Oil Paint: Artist-grade oil paint tubes (such as Gamblin or Windsor & Newton). If you are working in cold wax, student grade oils are fine.Â
- AÂ Â non-toxic medium used to thin paint and with oils, such as Gamsol.Â
- Odourless Mineral Spirits: Solvent used strictly for cleaning brushes (kept in a sealed metal container) or glass jars. With lids]
- Rags or Paper Towels: Shop towels or lint-free rags for wiping brushes and cleanup.
- Artist tape, white