FRESH A.I.R: Artist In Residency Welcome Show
Opening Reception: Saturday, September 13, 5-9pm
On View: September 13 – November 1
Morean Center for Clay
420 22nd Street South
Introducing 2025’s fresh-picked Artists in Residency (A.I.R.s) at the Morean Center for Clay! Lily Denhoff, Dani Lewis, and Kayla Noble will be sharing their talents with the studio for the upcoming year and have some gorgeous artwork for you to discover.
You can learn more about the Artist in Residency program HERE.
The Morean Center for Clay provides opportunities for artists in the early stages of their careers through the Artist in Residence (A.I.R.) program, where artists work and teach at the MCC in exchange for studio space and resources to help them develop their art practice. Residents come from far and wide to Saint Petersburg and stay between one and two years. Some go on to master’s programs, teaching positions, and some previous residents have even stayed on as employees of the Clay Center.

Lily Denhoff
Artist Statement:
As an artist, I am deeply process-driven and intuitive, continually seeking to integrate the diverse experiences of the mediums I explore. Each material, each technique, informs and feeds into the next, creating an ongoing dialogue between mediums, the work itself, and the moment in which it was created.
Bio:
Lily Denhoff is a multi-disciplinary artist working primarily with the mediums of metal and clay. Raised in Tampa, Florida, she has been enrolled in art classes since age 5. Since starting her ceramics journey, she has been specializing in wood firing and tableware.

Dani Lewis
Artist Statement:
My ceramic work can be seen as an exploration of my relationship with clay as a place of refuge, through the creation of soft biomorphic vessels. Drawing visual inspiration from organic elements such as clouds, various plants and fungi, and human anatomy, I create handbuilt forms with dramatic curves and undulations that capture the soft dynamic shapes I am drawn to. There is an inherent tension that exists between the interior and exterior of these vessels, and I examine the relationship between these two surfaces as a way to better understand the struggle between escapism, comfort, and emotional avoidance.
The sculptural vessels begin as intuitively doodled shapes which are refined into the fluid forms I build using a combination of handbuilding and mold-making techniques. These forms are made modular to interlock with one another, allowing me to create objects in response to each other. They loosely mimic components of the human body, such as organs, cells, and bones, reflecting the vessel nature we all possess. The creation of these forms is an act of mindfulness, and as I doodle and design these vessels I am actively processing different emotions.
Inspired by chenille, velvet, and corduroy, I use a combination of spray paint and rayon flocking to create surfaces similar to the textiles I find most comforting, while other pieces are covered with satin glazes and paint reminiscent of polished stone. These soft pastel exterior surfaces are happy, colorful, and appear pleasurable to touch. In contrast, I mark the interior of these vessels with darker, more viscerally colored, and roughly textured glazes that crawl, ooze, and blister to reflect internal psychological issues that are often overlooked and ignored.
Bio:
Dani Lewis is a contemporary multi-media artist who primarily works with clay. Growing up in Connecticut, she was raised in a creative family that encouraged her to explore art at a young age, and she was first introduced to ceramics in middle school. In 2024, Dani graduated with her BFA in ceramics from Arizona State University and recently completed a post-bac program at the University of Hartford. Working with fibers, lights, glaze, and paint, Dani uses a combination of hand-building and mold-making techniques to create biomorphic sculptures and vessels that explore texture and surface. She has received multiple awards and scholarships and has participated in group and juried exhibitions in Arizona and Connecticut. She has attended workshops at the Arrowmont School of Arts and Crafts, was a 2025 summer resident at the Watershed Center for Ceramic Arts, and is an incoming Artist-in-Residence at the Morean Center for Clay.

Kayla Noble
Artist statement:
Methodical caresses are paired with guttural and instinctive decisions to create pieces that explore containment and openness. In my work and processes I look for moments of tension and release. This allows for dynamic and spontaneous creations that speak to our human desire of touch, intimacy, and relation.
Clay and wood-ash have cyclical lives; movement and fluidity turn into stone and stillness and back again. By using these materials I can capture expressive moments in time that exist beyond what my hands can control.
Bio:
Kayla Noble is a contemporary artist and designer who creates woodfired ceramics. Her work explores themes of landscape, ephemera, and desire. She received her BFA in Ceramics from SUNY New Paltz in 2015 and has completed long term artist residencies at Taos Clay (2015-16), and at The Clay Studio of Missoula (2023-2025) as their woodfire artist in residence, where she led and managed their large-scale community anagama firings. She is currently a long term resident at Morean Clay Center. Kayla has exhibited her work and taught hand building and firing workshops nationally. During her firings, conversation is centered around developing a deeper relationship to and understanding of woodfire processes. While not in the studio Kayla enjoys spending time outside with trees and admiring rocks.